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'A Life for the Tsar' (, ''Zhizn' za tsarya'') is a "patriotic-heroic tragic opera" in five acts with an epilogue by Mikhail Glinka. The original Russian libretto, based on historical events, was written by Nestor Kukolnik, Yegor Fyodorovich Rozen, Vladimir Sollogub and Vasily Zhukovsky. The opera was immediately hailed as a great success, and became the obligatory season-opener in the Imperial Russian opera theaters. It was one of the first Russian operas to be known outside Russia. ''A Life for the Tsar'' occupies an important position in Russian musical theater as the first native opera to win a permanent place in the repertoire. Glinka and the writers with whom he was associated chose, in Susanin, a hero of Russian nationalism well suited to the mood of the time. In keeping with Glinka's European training, much of ''A Life for the Tsar'' was structured according to conventional Italian and French models of the period. Nevertheless, several passages in the opera are based on Russian folk songs or folk melodic idioms that become a full part of the musical texture. Most importantly, this opera laid the foundation for the series of Russian nationalistic historical operas continued by works such as Serov's ''Rogneda'', Musorgsky's ''Boris Godunov'', Rimsky-Korsakov's ''Maid of Pskov'', Tchaikovsky's Oprichnik or Mazepa, and Borodin's ''Prince Igor''.

Contents

Composition history

Early performance history

Characters and Setting

Historical basis of the plot

Synopsis

Principal arias and numbers

Versions by other hands

Composition history

The plot of ''A Life for the Tsar'' had been used earlier in 1815, when Catterino Cavos, an Italian-Russian composer, had written a two-act singspiel with the same subject and title. (Incidentally, Cavos also conducted the premiere of Glinka's opera.)
The original title of the opera was to be ''Ivan Susanin'', after the hero, but when Nicholas I attended a rehearsal, Glinka changed the title to ''A Life for the Tsar'' as a monarchy-pleasing gesture. This title was retained in the Russian Empire until the October Revolution, when it reverted to ''Ivan Susanin.''

Early performance history

'St. Petersburg Premiere (First Performance)'

★ ''Date'': 29 November (Old Style) 1836

★ ''Place'': Bolshoy Theater, St. Petersburg

★ ''Conductor'': Catterino Cavos

★ ''Set Designer'': Andrey Roller
'Moscow Premiere'

★ ''Date'': 7 September (Old Style) 1842

★ ''Place'': Bolshoy Theater, Moscow

★ ''Conductor'': Ivan Iogannis

★ ''Set Designers'': Serkov, Shenyan
'Original Interpreters'

Role	St. Petersburg 1836	Moscow 1842	Voice
Susanin	Osip Petrov	Kurov	bass
Antonida	Mariya Stepanova	Mariya Leonova	soprano
Vanya	Anna Petrova-Vorobyeva	Petrova	contralto
Sobinin	Lev Leonov	Aleksandr Bantïshev	tenor

Characters and Setting

Russian	English	Description	Voice
Иван Сусанин	Ivan Susanin	A peasant of the village of Domnino	bass
Антонида	Antonida	His daughter	soprano
Ваня	Vanya	Susanin's adopted son	contralto
Богдан Собинин	Bogdan Sobinin	A militiaman, Antonida's fiance	tenor
Начальник Польского отряда	Commander of the Polish Detachment		bass
Польский гонец	A Polish courier		tenor
Начальник Русского отряда	Commander of the Russian Detachment		bass
Peasant men and women, militiamen, Polish nobles and ladies, knights			chorus, silent roles

The action takes place in autumn of 1612 and the winter of 1613.

Historical basis of the plot

The historical basis of the plot involves Ivan Susanin, a patriotic hero of the early 17th century who gave his life in the expulsion of the invading Polish army for the newly elected Tsar Mikhail, the first of the Romanov dynasty, elected in 1613.

Synopsis

''(Note that the Act IV and the Epilogue contain more than one set of stage decor.)''
'Act I.' On a street in the village of Domnino, Antonida is eager to marry Sobinin, but her father Susanin refuses permission until a Russian has been duly chosen to take the Tsar's throne. When Sobinin informs him that the Grand Council in Moscow has chosen a Tsar, everyone celebrates.
'Act II.' In a sumptuous hall in Poland, the nobility are celebrating the Polish dominance over the Russians with singing and dancing. Suddenly a messenger comes in, with the news that Mikhail Romanov has been selected as the Tsar of Russia and is now in hiding. The Poles vow to overthrow him.
'Act III.' In Susanin's cottage. Susanin and his adopted son Vanya pledge to defend the new Tsar. Susanin blesses Sobinin and Antonida on their upcoming wedding. A detachment of Polish soldiers bursts in, demanding to know where the Tsar is hiding. Susanin, in order to protect the Tsar, tells Vanya aside that he will lead them off the trail, and sends Vanya off to warn him. Pretending to help them, Susanin goes off with the Poles. Antonida is devastated. Sobinin gathers some men to go on a mission to rescue Susanin.
'Act IV.' In a dense forest, Sobinin reassures his men of the rightness of their mission. Night falls. In a part of the forest near a monastery, Vanya knocks at the gates and alerts the inhabitants to spirit the Tsar away. Into an impassable, snow-covered area of the forest Susanin has led the suspicious Polish troops. The Poles sleep while Susanin waits for the dawn and bids farewell to his children. A blizzard sets in, and when day breaks, the Poles awake. When they realize that Susanin has deceived them, they kill him.
'Epilogue.' Across the stage walks a crowd of people, celebrating the triumph of the new Tsar. Alone in their own solemn procession, Antonida, Sobinin, and Vanya mourn Susanin. A detachment of Russian troops comes upon them and, after discovering their connection with Susanin, comforts them. The scene changes to Red Square, where the people proclaim glory to the Tsar and to Susanin's memory.

Principal arias and numbers

:''Overture''

'Act I'
:''Aria'': Каватина и рондо «В поле, в поле», Cavatina and Rondo "I gaze toward the field" (Antonida)
'Act II'
:''Chorus'': Полонез, Polonaise (Poles)
:''Dance'': Краковяк, Krakowiak
:''Dance'': Вальс, Waltz
:''Dance'': Мазурка, Mazurka
'Act III'
:''Aria'': Vanya's song
'Act IV'
:''Aria'': «Чуют правду!», "They sense the truth!" (Susanin)
'Epilogue'
:''Chorus'': «Славься, славься, святая Русь!», "Glory, glory, holy Rus'!" (People)
Orchestral excerpts heard in the concert hall consist largely of the overture and the Polish numbers of the second act.

Versions by other hands

As popular as the opera was, its Tsarist-leaning libretto was an embarrassment to the Soviet state. After some unsuccessful attempts were made to remedy this situation, in 1939 the poet S.M. Gorodetsky rewrote the text to remove references to the Tsar and otherwise make the libretto politically acceptable.