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ÉCOLE NATIONALE SUPéRIEURE DES BEAUX-ARTS

The 'Ecole Nationale Supérieure des Beaux-arts' (ENSB-A) is the distinguished National School of Fine Arts in Paris, France.
The Ecole des Beaux-arts is made up of a vast complex of buildings located at 14 rue Bonaparte, between the quai Malaquais and the rue Bonaparte, in the heart of Saint-Germain-des-Près, just across from the Louvre museum. Founded in 1648 by Charles Le Brun as the ''Académie de peinture et de sculpture'' (the famed French Academy). In 1793 the institutes were suppressed, but in 1816, the name was changed when it merged with the ''Académie d'architecture''. Held in the King's tutelage until 1863, an imperial decree of November 13, 1863 named the school's director, who serves for a five-year term. Long supervised by the Ministry of Public Instruction, the Ecole des beaux-arts is now a public establishment.
Ecole Nationale Supérieure des Beaux-arts, Front Gate, 19th C. Photograph

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The École Nationale Supérieure des Beaux-Arts in Paris is the original of a series of Écoles des Beaux-Arts in French regional centers. Since its founding in 1648, the Académie Royale de Peinture et de Sculpture had a school, France's elite institution of instruction in the arts. Its program was structured around a series of anonymous competitions that culminated in the ''grand prix de l'Académie Royale'', more familiar as the Grand Prix de Rome, for its winner was awarded a bourse and a place at the French Academy in Rome. During his stay in Rome, a ''pensionnaire'' was expected to send regular ''envois'' of his developing work back to Paris. Contestants for the ''Prix'' were assigned a theme from the literature of Classical Antiquity; their individual identities were kept secret to avoid any scandal of favoritism.
''Rinaldo and Armida'', François Boucher's ''morceau de réception'', gained his admission to the Académie royale in 1734.

Ecole Nationale Supérieure des Beaux-arts, Students Working in the Studio, 19th C. Photograph

With his final admission into the Académie, the new member had to present his fellow academicians a ''morceau de réception'', a painting or sculpture that demonstrated his learning, intelligence, and proficiency in his art. Jacques-Louis David's ''Andromache Mourning Hector'' was his reception offering in 1783; today it is in the collections of the Louvre Museum.
In 1793, during the French Revolution, the Académie Royale and the grand prix de l'Académie Royale were abolished, but only a few years later, in 1797, the Prix de Rome was re-established. Each year throughout the nineteenth century, the winner of the Prix de Rome was granted five years of study at the Villa Medici, after which the painter or sculptor could fully expect to embark on a successful official career.
The program resulted in the accumulation of some great collections at the Académie, one of the finest collections of French drawings, many of them sent as ''envoies'' from Rome, as well as the paintings and sculptures, usually the winners, of the competitions, or ''salons''. Lesser competitions, known as the ''petits concours'', took themes like history composition (which resulted in many sketches illustrating instructive moments from Antiquity), expressions of the emotions, and full and half-figure painting.
In its role as a teaching institution, the École assembled a large collection of Italian and French etchings and engravings, dating from the 16th through the 18th century. Such prints published the composition of paintings to a wide audience. The print collection was first made available to students outside the Académie in 1864.
Today, studies include: painting, installation, graphic arts, photography, sculpture, digital media and video. Ensb-a provides the highest level of training in contemporary art production. Throughout history, many world-renowned artists have either taught or studied at this institution. The faculty is made up of recognized international artists. Theoretical courses permitting diverse approaches to the history of the arts complement studio work, which is supported by technical training and access to technical bases. The Ensba media center provides students with rich documentation on art, and organizes conferences, seminars, and debates throughout the year. The School buildings have architectural interest and house prestigious historical collections and an extensive fine arts library. The school publishes a dozen texts per year on different collections, and holds exhibitions ranging from the school's excellent collection of old-master drawings to the most up to date contemporary works, in the Quai Malaquais space and the Chapel throughout the year.
ENSB-A, 14 Rue Bonaparte Enterance


Contents
Directors
Famous Instructors
Notable Alumni
References
See also
External links
Directors


François Wehrlin

Yves Michaud

Alfred Pacquement

Jean-Didier Wolframm

Henry-Claude Cousseau
Famous Instructors


Marina Abramović

Jean-Michel Alberola

Pierre Alechinsky

Louis-Jules André

François Boisrond

Christian Boltanski

Duchenne de Boulogne

Pierre Buraglio

Jean-Marc Bustamante

Jean Brasilier

Alexandre Cabanel

Pierre Carron

Robert Chauvin

Jean-Francois Chevrier

César

Claude Closky

Leonardo Cremonini

Henri Cueco

Aimé-Jules Dalou

Richard Deacon

Jean-François Debord

Olivier Debré

Henri Deglane

Christian Fossier

Louis Girault

Julien Guadet

Fabrice Hybert

Joël Kermarrec

Jacques Labro

Victor Laloux

Jean-Paul Laurens

Charles Le Brun

Charles Lemaresquier

Noël Lemaresquier

Michel Marot

Annette Messager

Gustave Moreau

Jean-Louis Pascal

Marc Pataut

Auguste Perret,

Emmanuel Pontremoli

Paul Richer

Jean-Joseph Sue

Jean-Joseph Sue, son

Jean-Luc Vilmouth

Othello Zavaroni
Notable Alumni


Nadir Afonso, painting

David Clark Allison, architecture

Rodolfo Amoedo, painting

Léon Azéma, architecture

Théodore Ballu , architecture

Ana Black , photography, multi-media

Maurice Boitel, painting

Aristophane Boulon, design

Antoine Bourdelle, sculpture

Bernard Buffet, painting

Jacques-Louis David, painting

Gabriel Davioud, architecture

Olivier Debré, painting

Edgar Degas, painting

Henri Deglane, architecture

Eugène Delacroix, painting

Félix Duban, architecture

Jean-Honoré Fragonard, painting

Charles Garnier, architecture

Tony Garnier, architecture

Théodore Géricault, painting

Louis Girault, architecture

Julien Guadet, architecture

Jacques Guidot, architecture

Jean Auguste Dominique Ingres, painting

Harvey Leepa, painting

Victor Laloux, architecture

Lin Fengmian, painting

Victor Louvet, architecture

Albert Louvet, architecture

Jean-Baptiste Mathon, architecture

Annette Messager, installation, muti-media

Claude Monet, painting

Gustave Moreau, painting

★ Pierre de Montvallon, dit Piem, design

Jean-Louis Pascal, architecture

André Pavlovsky, architecture

Pierre-Auguste Renoir, painting

Bojan Sarcevic, sculpture

Joann Sfar, design

Sisley, painting

Albert-Félix-Théophile Thomas, architecture

Roland Topor, design

Guillaume Tronchet, architecture

Robert Wlérick, sculpture

Pan Yuliang, painting

References



Review of ""Dieux et Mortels", a travelling exhibition of paintings and sculpture models from the collection of the École Nationale Supérieure des Beaux-Arts, 2004

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See also



Ecole des Beaux-Arts

Académie de peinture et de sculpture

Academic art

External links



École nationale supérieur des beaux-arts website

Extensive French Wikipedia Link

Book on the School

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